The
downfall of former Fox News CEO Roger Ailes as a result of sexual harassment
allegations is the subject of ‘Bombshell,’ the latest movie from comedy director
Jay Roach (‘Austin Powers,’ ‘Meet the Parents,’ ‘Dinner for Schmucks’). Despite the star power and veritable
bombshells featured in the film including Charlize Theron, Margot Robbie and
Nicole Kidman, ‘Bombshell’ failed to go off at the box office in our climate of
anti-media cynicism and political divisiveness, notwithstanding its “feminist”
message.
Long
before Harvey Weinstein was laid (no pun intended) low for his misdeeds against
women, Ailes (played by John Lithgow in this movie) found himself under fire
from sexual harassment allegations by various Fox-y newswomen, chief among them
Gretchen Carlson (Kidman) and Megyn Kelly (Theron). ‘Bombshell’ tells the story of how a deeply
suppressed “dirty little secret” finally emerged into the open and took on a
momentum of its own, bringing down a remorseless predator who thought himself
untouchable (metaphorically speaking, that is).
While ‘Bombshell’ is packed with cynical wit and behind-the-scenes
fourth-wall breaking candor, its impact is somewhat diminished by the fact that Theron’s
Kelly and Kidman’s Carlson failed to garner any sort of sympathy or
empathy from the viewers. The former is
pragmatic to a fault, an office politics survivor who sat on the fence until
the absolute last moment; the latter just came across as self-centered, petty and
vindictive. Indeed, the only character I
found to be interesting or even remotely likeable is the fictional Kayla
Popsicle, I mean Pospisil (Robbie), an “evangelical millennial” whose character is based on
a composite of all the other women who spoke out against Ailes. It’s no mean feat that ‘Bombshell’ manages to provide both
CNN and MSNBC-following liberals and FOX‑watching Trump-supporters something to
agree on and dislike.
Grade: C
Grade: C
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