Like
most people, I first heard of the name Alexandre Aja when I saw his excellent
breakthrough stalker-slasher horror film ‘Haute Tension’ (‘High Tension’) back
in 2003. Although the French director
went on to helm a few more genre films like ‘The Hills Have Eyes’ (2006 remake
of Wes Craven’s 1977 original) and ‘Mirrors’ (2008), both of which were decent
if unspectacular, he’s pretty much gone off the radar and I’ve all but
forgotten about him.
Until
now, that is. Aja’s latest directorial effort,
‘Crawl,’ is an old-school “natural” creature feature in the tradition of
‘Jaws,’ ‘Piranha,’ ‘Anaconda,’ ‘Lake
Placid’ and ‘Sharknado’ (okay, maybe not so much that one). To put it simply, ‘Crawl’ is ‘Jaws’ with
alligators in the starring role. University
of Florida (Go “Gators”!) competitive swimmer Haley (Kaya Scodelario) becomes
worried about her divorced dad (Barry Pepper of ‘Saving Private Ryan’) when a
category 5 hurricane hits her home town of Coral Lake. Unable to reach him by phone, she decided to
brave the storms and go home because she suspects something bad has happened, and sure enough found him gravely
injured and trapped underneath the house surrounded by hungry hungry hippos, I
mean alligators. With the flood waters rising as the hurricane rages on, Haley
will need to draw upon every ounce of all her courage, wits, resourcefulness
and well-honed competitive swimming skills to keep herself and dad from
becoming alligator lunch.
‘Crawl’
is an immensely entertaining, smart and tightly wound thriller in the best traditions
of those aforementioned movies. Its 84
percent “fresh” rating on Rotten Tomatoes was no accident, and its simple
father-daughter raw survival tale lends it a sympathetic human touch. With a strong female heroine, ‘Crawl’ also
bears comparison to the excellent 2016 film ‘The Shallows’ starring Blake
Lively as a bikini-clad co-ed whose surfing excursion at a secluded beach was rudely interrupted by a
great white shark.
Grade: A
Grade: A
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