Tuesday, November 7, 2017

Ragnarok & Roll

The ‘Thor’ trilogy goes out with a literal bang in ‘Thor: Ragnarok,’ director Taika Waititi’s rollicking and surprisingly fun (as in GOTG fun) take on the hammer-wielding Norse God of Thunder in the MCU.  So who is Taika Waititi anyway?  Isn’t he some famous Hawaiian or character from ‘The Lion King’ or something?  Well, no, the talented Kiwi (“New Zealander”) is the actor/screenwriter/director best known (before ‘Thor: Ragnarok’ that is) for the well-received indie vampire-comedy ‘What We Do in the Shadows.’  Look out, Peter Jackson.  Or not.
 
‘Ragnarok’ continues the tradition of sibling troubles we’ve seen in the dysfunctional royal family of Asgard.  With his Machiavellian adoptive brother Loki (Tom Hiddleston) subdued after all the mischief (the Chitauri) he unleashed upon NYC, Thor only finds to his surprise and dismay that he also had a big sis whom his father Odin (Anthony Hopkins) banished for being overly belligerent and ambitious in her warring ways.  Cate Blanchett is “Hela” good, and dare I say sexy in black, as the powerful, evil and antlered Goddess of Death who returns to Asgard with a vengeance to claim her rightful place and bring glory to her home world through the might of her army of conquest.  Can Thor, Loki, a fallen Valkyrie-turned-scrapper (Tessa Thompson) and a certain green berserker with anger management issues put a flower in the barrel of her rifle?

Aw, baby brother's trying to stop me with his little toy hammer.  Cute.
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While ‘Ragnarok’ is a dazzling spectacle jam packed with action and epic battles of Homeric proportions, what’s great about the movie are its lighter moments.  Aussie Chris Hemsworth may be known as a hunky action hero, but he does possess some comedic chops, and Waititi (who’s no stranger to comedy in light of his work on WWDITS and ‘Flight of the Concords’) injected ‘Ragnarok’ with well-timed moments of levity, including an intentionally badly acted scene featuring the cameo of a well-known actor portraying a dying Loki in classical tragic fashion.

Grade: A+
 
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