The latest YA series to be
adapted on-screen is James Dashner’s ‘The Maze Runner,’ an intriguing sci-fi
mystery about a group of teenage boys (and later, one girl) individually
kidnapped and deposited in the ‘Glade,’ a large clearing surrounded by high
concrete walls from which there can be no escape and beyond which lies the ‘Maze,’
an ever-shifting labyrinth of tunnels and passages roamed by the monstrous and arachnid-like ‘Grievers’
at night.
Not having read the books I went
into ‘The Maze Runner’ with an open mind and few expectations, and the movie did not disappoint. In fact, TMR
proved to be a rather pleasant surprise for me because it is a well crafted, riveting and exciting sci-fi thriller for young and older adults alike. The ensemble cast of unknown young actors
could easily have been pulled from any one of those shows you see on The CW Network, but
they played their parts convincingly as we become invested in their trials and struggles to survive without the amenities of modern civilization. 'The Maze Runner' has been compared to 'Lord of the Flies' in its study of individual leadership and group dynamics, with some members constantly yearning to escape while others accepting their fates because escape is futile. But for me the appeal of ‘The Maze Runner’ lies in its dark
dystopian setting and engrossing riddle-wrapped-in-a-mystery-inside-an-enigma plot.
While TMR's exasperating "What the hell are we doing here???!!!" premise echoes those in similar shows like 'Lost’ and ‘Under the Dome,’ the ending hints more at a ‘Cabin in the Woods’ twist, but since this is only the first movie in a planned trilogy, I loathe to jump to any conclusions at this juncture.
Grade: A-
No comments:
Post a Comment